Phi Ta Khon Festival
(ประเพณีผีตาโขน เลย)
Loei
24 Jun 2017 - 26 Jun 2017

A HAPPY GATHERING OF FUN-LOVING SPIRITS The Phi Ta Khon festival is unique to the Dan Sai district in Loei Province and reflects the local Isan belief in ghosts and spirits. Held once a year, it is part of a grand merit-making festival known as the "Boon Luang" festival. The origins of the Phi Ta Khon Festival can be found in the tale of Lord Buddha's last great incarnation before attaining Enlightenment. In Buddhist accounts, it is said that when Prince Vessandara, the Buddha's penultimate incarnation, returned to his city, it was such a joyous occasion that the village spirits came forth to join the welcoming parade. This very colourful and vibrant Phi Ta Khon procession is the central focus of the celebrations. In a lively re-enactment of the tale, the young men of the community dress up as "spirits" wearing long trailing costumes made from colourful strips of cloth sewn together. The hideous-looking Phi Ta Khon mask which is made of dried sticky rice husk is painted in bright red, green or other colours, and features the characteristic long pointed nose. This completes the transformation.

    The clanging sound of the square cowbells worn around the waist announces the presence of the spirits who wield phallic-shaped long-handled swords decorated with red paint. The good-natured, fun-loving spirits mingle among the crowd, teasing and amusing all who take part in the procession. Spectators and visitors are welcome to join in the fun. There are two types of "spirits" featured in the Phi Ta Khon procession namely the "Phi Ta Khon Yai" — the supreme Phi Ta Khon, and the "Phi Ta Khon Lek", the ones that are commonly found. The making of the Phi Ta Khon Yai involves the performance of a sacred ritual to seek the blessings of the supreme powers before work on the Phi Ta Khon Yai masks can be initiated. It is also a task reserved exclusively for the descendants of families in which the tradition of making Phi Ta Khon masks has been practised for several generations. The Phi Ta Khon Yai is made of bamboo and is dressed in either male or female attire.

*** The contents are subject to change without notice,

For more information plase contact : TAT Call Center 1672

Tourism Authority of Thailand, Loei Office

Tel: +66 (0) 4281 2812 Fax: +66 (0) 4281 1480

E-mail: tatloei@tat.or.th website: www.tourismthailand.org

Accommodation in Phu Ruea District - Phu Dara Resort Tel: 042 801138-9 - Phu Ruea Busba Tel: 042 899330, 042 899229 - Phu Ruea Resort Tel: 042 899048, 042 899042 - Baan Thongchai Resort Tel: 042 899116 DESTINATION HIGHLIGHTS - QUICK REFERENCE Loei is a border town adjacent to present-day Laos, formerly known as the Lan Xang Kingdom in the past. Many of the temples and archaeological sites in Loei thus reflect the influence of the Lan Xang artistic style, particularly the sloping roof covered with wooden tiles commonly found in Loei. Other distinctive features can be seen in the Ubosot or ordination hall and the Viharn, the assembly hall.

* PHRA THAT SI SONG RAK STUPA The temple which was built in 1560 is of special significance as it symbolizes the fraternal relationship between two kings, namely Somdet Phra Maha Chakkaphat of the Ayutthaya Kingdom and Phra Chao Chaiya Chetthathirat of the Lan Xang Kingdom, who took a pledge of peace at the stupa that neither would encroach on the other's territory, and to unify their forces against the invading army. The Lan-Xang style stupa is located on a hill by the Man River and marks the borderline between the two kingdoms. The stupa is a 30-metres high brick-and-concrete structure in the shape of a "cubical lotus", similar to the Phra That Phanom stupa in Nakhon Phanom Province, Phrat That Luang in Vientianne and other such stupas found along the banks of the Mekong River.

* WAT PHO CHAI TEMPLE The temple was built in the late Ayutthaya period and has served as the town's sanctuary and moral refuge for generations. Assumed to be of the Chiang Saen period, the temple houses a magnificent statue depicting the meditating Buddha with an elongated face and a flamboyant top-knot. The mural paintings in the Viharn or assembly hall depict the Jataka, the ten previous lives of the Lord Buddha. An inscription on the northern wall suggests that the mural paintings were completed in 1852 during the reign of King Rama IV. Mural paintings on the outer walls of the viharn were completed in 1916.

* PHRA THAT SATCHA STUPA Phra That Satcha literally means the temple of truthful pledge. One year following the collapse of the Phra That Phanom in Nakhon Phanom, considered to be the most revered Buddhist stupa in Northeastern Thailand, this 33-metre high stupa was constructed on a large rocky foundation. Modelled after the original Phra That Phanom, the Phra That Satcha was constructed to continue the religious symbolism represented by the original stupa in Nakhon Phanom. This helped to heal the sense of loss following the tragic collapse of the original stupa and re-proclaimed the pledge to preserve Buddhism in the region. Relics of the Lord Buddha and his followers and soil from the original Phra That Phanom were consecrated within the new stupa. A gilded Buddha's footprint is housed within the stupa.